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He was in the dark and suddenly the spotlight picked him up—he was electric, he was hot, it was almost a sexual thing.He was singing to Kim Novak, sitting at a stageside table; she had just finished work on Alfred Hitchcock’s the most challenging film of her career.He kept a framed photograph of his hero, Benito Mussolini, on his massive desk and had his office decorated to look like Il Duce’s.The reporter James Bacon, fresh out of Chicago, was assigned to cover Hollywood for the Associated Press back in 1948. He used to fire people all the time—usually on Christmas Eve.”Henri Soulé, the owner of Le Pavillon and La Côte Basque in New York, detested Cohn and considered him a déclassé Hollywood hood.Her marriage to Khan, a notorious playboy and womanizer, kept her out of pictures for more than two years, infuriating Cohn and further alienating her fans. Cohn wanted her in one of his pet projects, a biblical epic called until her then husband, Haymes, came into Cohn’s office with a marcelled beard and demanded to be cast as Joseph.“I’ll have that son of a bitch back in Argentina,” Cohn exploded.
You had to see him: the gorgeous shirt, the cuff links, the way everything billowed.
threatened to become a national scandal on the eve of America’s long struggle for civil rights.
It started in 1957 at Chicago’s most famous nightclub, Chez Paree.
She balked at being renamed “Kit Marlowe,” and, incredibly, she won that battle.
They compromised on “Kim” Novak—the name of the son of her Chicago friend and business manager, Norma Herbert, then Norma Kasell.